PDF Download Emily Dickinson (Radcliffe Biography Series), by Cynthia Griffin Wolff
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Emily Dickinson (Radcliffe Biography Series), by Cynthia Griffin Wolff
PDF Download Emily Dickinson (Radcliffe Biography Series), by Cynthia Griffin Wolff
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Cynthia Griffin Wolff's brilliant literary biography of Emily Dickinson is the first to unravel the intricate relationship between her life and her poetry. It is a vivid portrait of the poet and her times as well as a fascinating interpretive study of the poems that will enable every reader to approach them with new understanding and delight.
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Product details
Series: Radcliffe Biography Series
Paperback: 678 pages
Publisher: Da Capo Press; Reprint edition (January 22, 1988)
Language: English
ISBN-10: 020116809X
ISBN-13: 978-0201168099
Product Dimensions:
6 x 1.5 x 9 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#105,578 in Books (See Top 100 in Books)
fabulous book and author
Bring your hardhat, and be prepared to learn. An old school Biography the delves into the essence of Dickinson, her appeal, myths and mysteries. A forensic scholarly study for which Wolff was clearly well prepared and well armed. Having read Wolff's Edith Wharton, I was ambivalent about undertaking her Dickinson study, Wolff is an unapologetic author who goes where she likes and does not worry too much about who follows, it took some getting used to. But she vindicated herself completely in her treatment of Dickinson and you cannot help but come away the richer for the time spent. Bravo! Ms. Wolff.
Creative subjectivity is an individual riddle guessing game in which multiple observations seek inner feelings to reveal the shift and shuffle of organizing ideas trying to steer collective thinking in cultural confusions. Death rules in ways that only a fool would admit, but the poems which play with brain skewers burning in anything a Zoo Animal song might know how to make the roots grow deeper.
This is the first Emily Dickinson biography I've read so I cannot compare it to others. [At least one reviewer has said this should not be the first biography one reads of Emily; now that I've read it, I can't imagine reading a "beginner's" biography of Emily. The psychological insight this author brings to the table cannot be overstated. Several pages of conversation about non-verbal conversation in the infant-toddler stage is fascinating.]This biography will take a couple of readings. The author has fashioned a narrative of Emily's life, her poetry, the waning of the New England Puritanism, and the history of Amherst all in one exceptionally well-researched biography.The first reading provided a tremendous overview of Emily's life and her lifelong struggle with God, but the analysis of her poetry was often way beyond what I could understand, and thus will require several more readings.Anyone who says they feel they "know" Emily Dickinson is suspect; she remains as much an enigma as ever. Having said that, I feel I have a much better perspective of Emily and am eager to tackle her poetry.The author included a superb 40-page index, an equally superb 52 pages of notes, and a 21-page bibliography. I am very impressed.
The greatest strength of this biography is found in its interpretations of ED's poems. Wolff is a careful and insightful reader, capable of teasing out many layers of meaning in even the most elliptical pieces. Her analyses sometimes left me breathless; there's a special pleasure in discovering new meanings in familiar poems.As noted by another reviewer, Wolff does approach this biography with a kind of agenda. She is most interested in demonstrating how Dickinson rebelled (both in work and life) against the Trinitarian Christianity of her upbringing. Wolff really excels here, and her insight is delicious. Wolff also imbues her readings with a feminist tilt; she never descends into theoretical jargon, but her readings are often skewed by her concern with gender. I wasn't bothered by this, since her interpretations still proved fruitful and provocative. Wolff is weakest in describing ED's relationship with her mother; the psychological bent she brings to this rings a bit hollow for me, and she rides her insight about the infant poet's emotional deprivation through the entire work. Her speculation, in my opinion, isn't helpful or needed.As a life story, this volume isn't quite so complete as it might've been. It's more a work of criticism than biographical scholarship (although Wolff brings much learning to bear in her critiques on ED's work). If you're interested in the specifics of Dickinson's life, I'd recommend starting with Sewall's monumental biography.It's also worth noting that some critics have disagreed with Wolff's commentary on Dickinson's life, particular the poet's childhood (Wolff's take on it is rather bleak, a conclusion not necessarily supported by the historical records). I'm not a Dickinson scholar, so I can't answer to these arguments. I do love ED's poetry deeply, however, and found this book a compassionate and fascinating read.
This work should be read by anyone interested in biography, but not for reasons the author might suspect. Here is a perfect example of biography as personal agenda. Here is biography as a skillfully written---but convoluted---interpretation of the life, letters and poems of Emily Dickinson.Wolff should have written an editorial and clearly marked it as such.However, one good service was provided. My friends and I would read a poem being discussed by Wolff, and then read her "forced" interpretation of it. We had many hearty laughs. But we also felt genuine pity for Wolff. Is this what she has to do to defend her agenda? Does she have no other means?I do not worry about scholars reading this book. In fact they should read it. They will easily discover those parts that are useful---and there are many---and discard the rest. But what about young students? What of those who do not know Emily and pick this book as their first meeting with her?Instead, may I suggest they read "The Capsule of the Mind" by Theodora Ward. It is also a psychological look at Emily Dickinson. Ward is the granddaughter of Doctor and Mrs. Josiah Gilbert Holland, two of Emily's closest friends. Ward was also an assistant to Thomas H. Johnson, Harvard University, the person most responsible for bringing us Emily's letters and poems. In fact, Ward herself was inspired to become a Dickinson scholar when she discovered sixty-five of Emily's letters in her family's attic.Cynthia Wolff, please spare us your politically correct---but factually incorrect---views on Emily Dickinson.Joe Psarto,Westlake,Ohio
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